Today a long-forgotten crucifix will be placed once again in the Basilica of Saint Peter in Rome.
It will hang in the Blessed Sacrament Chapel near Bernini's great tabernacle. Bernini himself would have admired the work of the anonymous artist, for its mediaeval style anticipated the spirit of the more exuberant baroque.
The crucifix was carved seven hundred years ago and was the object of devotion in the original Constantinian basilica built in the fourth century. The torso and legs are seven feet long and are in one piece made from the trunk of a walnut tree. It was placed in the new basilica in 1626 and survived many vicissitudes, including the Sack of Rome when the invaders used the old basilica as a horse stable and mockingly vested the corpus in one of their uniforms.
Gradually, it was forgotten after it was removed to make room for Michelangelo's Pietà and ended up in a remote and virtually unreachable chapel. High technology has restored it, as it suffered discoloration and termite damage. The sort of stereo microscopes used in microsurgery identified the many layers of paint and varnish before they were meticulously removed.
The outstretched arms are six-and-a-half-feet wide. Even if the Lord had not been nailed to the cross, his arms would be open to all who approach him, as they were when he ascended into glory. "Come unto me, all you that labor and are heavy laden, and I will give you rest" (Matthew 11:28).
Our nation is weary, and the ennui is especially taxing and belabored by a long election campaign. Events have forced us to examine the condition of our culture, and how much we have ignored Christ's call to come to him. The degradation of our institutions, reflected tellingly even in the way people dress and speak, is palpable and has taken its toll on our schools and governments and even our churches. This is a time, rarely matched in our national annals, for choosing between conversion and tragedy. To choose the tragic path is to mock our Lord, and our demoralized culture is already well on its way to masquerading Christ Crucified in comic vestments.
Two hundred and twenty-five years ago, to this very week, Bishop John Carroll penned a prayer for the new nation. As the first bishop in the United States, cousin of a signer of the Declaration of Independence and an esteemed friend of many Founding Fathers, he stood on a terrain high enough to survey the looming dangers and salutary prospects of the day, as he prayed for a government "encouraging due respect for virtue and religion; by a faithful execution of the laws in justice and mercy; and by restraining vice and immorality." Our perspective is the same today, only with more souls both at risk and offered benevolent promise.
Father George W. Rutler. "A long-forgotten crucifix." From the Pastor (November 6, 2016).
Reprinted with permission from Father George W. Rutler.
Image: CNS/Paul Haring
Father George W. Rutler is the pastor of St. Michael's church in New York City. He has written many books, including: The Stories of Hymns, Hints of Heaven: The Parables of Christ and What They Mean for You, Principalities and Powers: Spiritual Combat 1942-1943, Cloud of Witnesses — Dead People I Knew When They Were Alive, Coincidentally: Unserious Reflections on Trivial Connections, A Crisis of Saints: Essays on People and Principles, Brightest and Best, Saint John Vianney: The Cure D'Ars Today, Crisis in Culture, and Adam Danced: The Cross and the Seven Deadly Sins.Copyright © 2016 Father George W. Rutler
back to top