A Review of Stephen Greenblatt's The Swerve

FATHER ROBERT BARRON

The story of modernity’s rise is much more complex and finally much more interesting than the one told by Stephen Greenblatt, and it is altogether possible to celebrate the legitimate achievements of modern culture without knocking down a straw-man version of Catholicism

In 2005, Harvard scholar Stephen Greenblatt published a wonderful book on Shakespeare called Will in the World. Witty, insightful and surprising, it caused thousands of people, including your humble scribe, to look at the Bard with new eyes. Thus it was with great anticipation that I opened my copy of Greenblatt's latest The Swerve: How the World Became Modern. Like its forebear, this new book is indeed lively, intelligent and fun to read, but as I moved through it I grew increasingly irritated and finally exasperated by its steady insistence upon one of the most tired myths of the contemporary academy, namely, that the modern world, in all of its wonder and promise, emerged out of a long and desperate struggle with (wait for it) Roman Catholicism.

The unlikely hero of Greenblatt's story is one Poggio Bracciolini, a humanist of the early 15th century who labored as a scribe at the papal court and who, in his spare time, searched for ancient texts, neglected and moldering in monastic libraries across Europe. On a hunting expedition, most likely to the great monastery at Fulda, Poggio liberated a text that, Greenblatt holds, decisively shaped the evolution of the modern mind: the De rerum natura (On the Nature of Things), composed by the first century BC Roman writer Lucretius. In this philosophical poem Lucretius argued that the universe is made up exclusively of atoms — tiny, invisible particles — that, across infinite time and through infinite space, randomly arrange themselves into patterns and then fall apart. Furthermore, he taught that there is no divine mind governing the process; the soul is as mortal and dissoluble as the body; there is no afterlife; humans are not unique in the cosmos but rather are animals somewhat more evolved than others; religion is fear-based and cruel; and the whole point of life is to maximize pleasure and avoid pain. The rather cold and grim vision of the universe laid out in the De rerum natura Greenblatt takes as a harbinger of "modern" view that happily holds sway today — at least in Ivy League faculty lounges.

To make his story more dramatic, Greenblatt had to portray Poggio as a culture warrior, battling against a retrenched and oppressive Catholicism — and this is where his book really goes off the rails. I will give just a few examples of the egregious caricature of medieval Christianity that he feels compelled to present. Whereas Lucretius, Poggio, and their modern intellectual successors were marked by a restless curiosity and an adventurous desire to explore the physical universe, Catholics, Greenblatt maintains, were dogmatic, repressive, exclusively other-worldly.


As evidence for this claim, he cites the medieval conviction, cultivated especially in the monasteries, that curiositas is a sin. Well, it might have helped if he had searched out what medieval Christians meant by that term. He would have discovered that curiositas names, not intellectual curiosity, but what we might characterize as gossip or minding other people's business, seeking to know that which you have no business knowing. In point of fact, the virtue that answers the vice of curiositas is studiositas (studiousness), the serious pursuit of knowledge. And as anyone even mildly familiar with medieval Christianity knows, this virtue was exemplified by some of the greatest spirits that western civilization has produced. St. Albert the Great assiduously studied Aristotelianism, which was the leading science of his time and which was concerned, above all, with searching out the causes of things; St. Thomas Aquinas's soaring intellectualism is on vivid display on every page of his voluminous work, which runs the gamut from God and the angels to planets, plants, human societies, economics, politics, animals, etc. Bonaventure, Duns Scotus, William of Occam, Alexander of Hales, Henry of Ghent, Roger Bacon — to name just some of the most prominent figures — pursued scientific, practical and metaphysical questions with an intensity and, yes, curiosity rarely rivaled. I readily grant that an intellectual paradigm shift occurred in the 16th century, but to claim that the sciences emerged out of rank and uncurious superstition is simply a calumny.

As evidence for this claim, he cites the medieval conviction, cultivated especially in the monasteries, that curiositas is a sin. Well, it might have helped if he had searched out what medieval Christians meant by that term.

A second feature of Greenblatt's caricature is that medieval Christianity was dualistic, morose, deeply opposed to the pleasures of the body, and masochistic in its asceticism. As evidence he brings forward the many accounts of self-flagellation and use of the "discipline" that took place in medieval monasteries and among penitential societies. No one can deny that such practices were a feature of medieval religious life, but to take them as somehow paradigmatic of the medieval attitude toward the body is simply ridiculous. Nowhere in the literature of the world do we see more boisterous and even bawdy celebrations of the body, sensual pleasure and sexuality than in Dante's Divine Comedy, Chaucer's Canterbury Tales and Boccaccio's Decameron; and even a casual glance at the figures in the colored glass windows of Chartres Cathedral or the Sainte Chapelle reveals an extraordinary celebration of the energy and color of ordinary life. That the dominant Christian attitude in the Middle Ages was a life-denying asceticism is quite absurd.

Despite Greenblatt's assertions, the Catholic Middle Ages did not require Lucretius's De rerum natura to learn the importance of either intellectual curiosity or the joys of this life. And in point of fact, the cultural world of modernity that emerged through the exertions of Descartes, Pascal, Galileo, Newton, Jefferson and company actually owed a great deal, intellectually and artistically, to the medieval period. The story of modernity's rise is much more complex and finally much more interesting than the one told by Stephen Greenblatt, and it is altogether possible to celebrate the legitimate achievements of modern culture without knocking down a straw-man version of Catholicism.

 

 



ACKNOWLEDGEMENT

Father Robert Barron, "One More Swing at the Catholic Straw-Man: A Review of Stephen Greenblatt's The Swerve." Word on Fire (October 13, 2012).

Reprinted with permission of Father Robert Barron.

Father Barron's brilliant new video series "Catholicism" is described by George Weigel here: "This is the most important media project in the history of the Catholic Church in America. A stimulating and compelling exploration of the spiritual, moral, and intellectual riches of the Catholic world."

For information go here.

THE AUTHOR

Father Robert Barron is the founder of Word On Fire and is an acclaimed author, theologian and speaker. He is the Francis Cardinal George Professor of Faith and Culture at Mundelein Seminary near Chicago. Fr. Barron is also the creator and host of the groundbreaking, ten-part documentary series called CATHOLICISM (www.CatholismProject.org). Word On Fire (www.WordOnFire.org) programs reach millions of people and have been broadcast on WGN America, EWTN, Relevant Radio and the popular Word on Fire YouTube Channel. Fr. Barron is the author of, And Now I See: A Theology of Transformation, Thomas Aquinas: Spiritual Master, Heaven in Stone and Glass: Experiencing the Spirituality of the Great Cathedrals, Eucharist (Catholic Spirituality for Adults), Priority of Christ, The: Toward a Postliberal Catholicism, and Word on File: Proclaiming the Power of Christ.

Father Barron uses his YouTube channel to reach out to people and bring valuable lessons of faith alive by pointing out things that can be learned by watching popular characters of movies and television shows.

Copyright © 2012 Father Robert Barron




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