Speaking NeatlyROGER SCRUTON
American speech, like English speech, used to sparkle.
American speech, like English speech, used to sparkle. The dialogues invented by Henry James are scintillating, alert to implications, never redundant or blunt. Their stylized air is exaggerated, if at all, only in the cause of art. The dialogues of the old Hollywood movies, like the lyrics of the Broadway musicals, are masterpieces of apt condensation, in which every word and every feeling counts. The aphorisms of Groucho Marx, the repartee of Tony Curtis, the lyrics of Cole Porter and Oscar Hammerstein, have an immediacy that has impressed them on the hearts and minds of educated Americans to this day. A foreigner, coming for the first time to the great American novelists and playwrights, the great Hollywood movies, or the Great American Songbook, would quickly come to believe that American culture is a culture of the aphorism, and that the principal delight of Americans in every walk of life is to condense thought and emotion into a nugget of wisdom or a stinging phrase.
But what exactly is an aphorism, and what distinguishes the good from the bad example? Aphorisms are like stock cubes. They are dry, salty, compact; and they are intended, when dissolved in thought, to be nourishing. But not all aphorisms are of equal value. There are true aphorisms and false ones, witty aphorisms and dull ones. True wit, Pope said, "is Nature to advantage dressed, /What oft was thought but ne'er so well expressed." That characterizes one kind of aphorism the true and commonsensical kind, of which Pope himself was a master, as in "fools rush in, where angels fear to tread." There are also aphorisms that capture a truth that never was thought until so well expressed. Such is La Rochefoucauld's maxim that "hypocrisy is the tribute that vice pays to virtue." Is he praising hypocrisy or condemning it? Asking that question reveals the depth and originality of La Rochefoucauld's insight.
Some of the greatest aphorisms are American notably those of Ambrose Bierce in The Devil's Dictionary, to whom we owe a definition of the brain ("an apparatus with which we think we think") that ought to be inscribed above the entrance to every department of neuroscience. There is no more useful definition of Puritanism than that given by H. L. Mencken: "the haunting fear that someone, somewhere, might be happy," and never has the paradox of social mobility been better captured than by Groucho Marx's famous aphorism: "I don't want to belong to any club that will accept me as a member" surely the equal of La Rochefoucauld's insight into the real meaning of hypocrisy.
But there are false, unfunny, and eccentric aphorisms too, and they are just as likely to have a far-reaching influence as the true and the witty. Oscar Wilde shaped his many bons mots in ways that sweetened the pill of unwelcome truth: for instance "in matters of the greatest importance it is style and not sincerity that counts," and "it is only a very shallow person who does not judge by appearances": aphorisms that have some of the depth and density of La Rochefoucauld's. But Wilde's much quoted dismissal of foxhunting, as "the unspeakable in full pursuit of the uneatable," is an instance of a false aphorism. False at both ends, and monstrously unfunny to those who have knowledge of the matter.
Marx's writings contain an elaborate attempt at a system: but the system was refuted and Marx survived. We know Marx instead as the author of famous phrases: alienated labor, surplus value, the fetishism of commodities, wage slavery, the crisis of capitalism, and a thousand more. He told the workers of the world to unite, since they had nothing to lose but their chains and the chains of aphorisms that subsequently bound them proved to be stronger than any chains of steel. In one of the aphorisms contained in The German Ideology, the workers were promised hunting in the morning, fishing in the afternoon, and literary criticism after dinner and, apart from the absence of game, fish, and literature, not to speak of dinner, that was what they got.
If you lived through the '60s, as I did, you would have no doubt, today, of the power of aphorisms. And I blame our educational system for the fact that, in their hunger for witty phrases, and finding nothing of use in the pronouncements of the politicians of the day, the young people of the '60s took their aphorisms from the store of falsehoods accumulated by the Marxists. Overnight the facetious leftisms rose up and seized control of the intellectual economy. The French situationists made some nice additions "It is forbidden to forbid," for example and a few crept in from the Little Red Book of Chairman Mao, such as "no army can resist an idea whose time has come" (which lacks the wit of Voltaire's sarcastic aphorism about the big battalions). However, it was the aphorisms of Marx that set the intellectual agenda. "Hitherto philosophers have interpreted the world; but the point is to change it." "Consciousness does not determine life but life determines consciousness." "The history of all previously existing societies is the history of class struggles." And so on.
Take a look at The Communist Manifesto and you will encounter one of the most influential sequences of aphorisms in history. And most of them are false. Why, then, were they so successful? I think the reason is this. It is in the nature of an aphorism to aim at success to present a complex nugget of intellectual flavor that makes the brain water in the way that the mouth waters when touched by monosodium glutamate. And success comes more easily for the one who promises power than for the one who offers only truth. Wilde's aphorism about hunting made its mark because it was a weapon in a battle indeed in one of the few "class struggles" that the English have known in recent times. And the same is true of The Communist Manifesto. People have only a circumscribed interest in truth. But their interest in power is insatiable. Falsehoods that give confidence or amplify power will, in the moment of contest, eclipse those paltry truths that warn us to hold on a moment and be careful. The point was made by another great aphorist among 19th-century philosophers, Nietzsche. And Nietzsche's popularity today is owing to the same feature that explains Marx's popularity in the '60s: the promise of power.
Orwell was documenting the decline of the aphorism, its abuse as an instrument of oppression and an assault on the sovereignty of truth. But the thing that was abused by Marx and the Marxists is also a necessary part of speaking properly and to good effect. How are we to recapture the forgotten ways of wit, and the use of aphorisms in the cause of truth? It seems to me that this is something that we ought to be teaching in our universities. A degree in the humanities should have something of the ancient study of rhetoric. It should be equipping students to persuade, to use language gracefully and succinctly, and to speak and write with style. Persuasion comes not through statistics and theories, but through the artful aphorism that summarizes, in the heart of the listeners, the things that they suspect but don't yet know. The educational challenge then becomes that of teaching students not only to think and speak in witty phrases, but at the same time to be guided by the truth. Can it be done? To that question I answer: we can but try.
Roger Scruton. "Speaking Neatly." The American Spectator (July/August 2011).
This article reprinted with permission from the author and The American Spectator.
Roger Scruton is a research professor in the department of philosophy at St. Andrews University, a visiting scholar of the American Enterprise Institute in Washington DC, and a senior research fellow in philosophy at Blackfriars Hall in Oxford. He is a writer, philosopher and public commentator who has specialised in aesthetics with particular attention to music and architecture. He engages in contemporary political and cultural debates as a powerful conservative thinker and polemicist. He has written widely in the press on political and cultural issues. He has held visiting posts at Princeton, Stanford, Louvain, Guelph (Ontario), Witwatersrand (S. Africa), Waterloo (Ontario), Oslo, Bordeaux, and Cambridge, England. Mr. Scruton has published more than 30 books including, The Uses of Pessimism: And the Danger of False Hope, Beauty, Understanding Music: Philosophy and Interpretation, I Drink therefore I am, Culture Counts: Faith and Feeling in a World Besieged, The Palgrave Macmillan Dictionary of Political Thought, News from Somewhere: On Settling, An Intelligent Person's Guide to Modern Culture, An Intelligent Person's Guide to Philosophy, Sexual Desire, The Aesthetics of Music, The West and the Rest: Globalization and the Terrorist Threat, Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde, A Political Philosphy, and most recently Gentle Regrets: Thoughts from a Life. Roger Scruton is a member of the advisory board of the Catholic Education Resource Center.
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